Hamann / Astro - Limbo (Buh Records, BR16, 2010)
The split between the musician and the noisy Hamann Peruvian Japanese Astro is dedicated to the exploration of images astral through sound. Both artists agree on the composition of songs based on themes unearthly, in the representation of the heavenly bodies as objects of their sounds. However, both artists offer sounds in "Limbo" does not necessarily coincide in their records. Hamann
themes are closer to more stereotypical electronic scanning, drawing imaginary orbits in a way that vaguely recalls some of the early works of Tangerine Dream, as "Alpha Centauri" or "Zeit." The opening track, "Uranus," is clearly conventional in this regard, with its ponderous atmosphere by drawing a brief flicker in the life of a circuit planetarium. Its dynamics is slow, colossal, circumference, based on the slow oscillatory sequences of a synthesizer. "Aldebaran" Alpha Tauri, also presents a dynamic painting of the majesty and spatial depth is surprising, however, the brevity of these sonic images, which certainly could function as larger issues. The same is true of "Undetectable" perhaps an ironic reference to human languages, in which short lines, which resemble those of Coil or Cabaret Voltaire-fight by panning with crystal shine. Hamann's contribution to this split is certainly delightful despite being undeniably infiltrated by the past, which is completely evident when contrasted with the explosive material Astro.
In a subject that spreads itself far more than the 3 tracks together Hamann, Astro presents another of its features psychedelic compositions, based, like those of Hamann, in an incessant use of synthesizers. Although much more mechanical than usually, Hiroshi Hasegawa generates a delusional world of sounds from acid sequences highly obtrusive, almost tidal waves of electromagnetic waves, which are contradicted by acute barely squeaks, whose record is in turn violated by manipulation parameters. Maybe that cover an axis mundi menstrual with the world again at its zenith a tangle of nerve endings prostrate before an androgynous god delusional to describe their sound a bit better than my words. Content fully hallucinogenic. (SS)
themes are closer to more stereotypical electronic scanning, drawing imaginary orbits in a way that vaguely recalls some of the early works of Tangerine Dream, as "Alpha Centauri" or "Zeit." The opening track, "Uranus," is clearly conventional in this regard, with its ponderous atmosphere by drawing a brief flicker in the life of a circuit planetarium. Its dynamics is slow, colossal, circumference, based on the slow oscillatory sequences of a synthesizer. "Aldebaran" Alpha Tauri, also presents a dynamic painting of the majesty and spatial depth is surprising, however, the brevity of these sonic images, which certainly could function as larger issues. The same is true of "Undetectable" perhaps an ironic reference to human languages, in which short lines, which resemble those of Coil or Cabaret Voltaire-fight by panning with crystal shine. Hamann's contribution to this split is certainly delightful despite being undeniably infiltrated by the past, which is completely evident when contrasted with the explosive material Astro.
In a subject that spreads itself far more than the 3 tracks together Hamann, Astro presents another of its features psychedelic compositions, based, like those of Hamann, in an incessant use of synthesizers. Although much more mechanical than usually, Hiroshi Hasegawa generates a delusional world of sounds from acid sequences highly obtrusive, almost tidal waves of electromagnetic waves, which are contradicted by acute barely squeaks, whose record is in turn violated by manipulation parameters. Maybe that cover an axis mundi menstrual with the world again at its zenith a tangle of nerve endings prostrate before an androgynous god delusional to describe their sound a bit better than my words. Content fully hallucinogenic. (SS)
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