Marsfield - Three Sunsets Over Marsfield (Farawar Press, s / n, 2010)
Two sound mystical, Brendan Wallis and Andrew Chalk would be convened in 2002 to recreate the story aurally Lieutenant Wilson, a ("imaginary?) soldier, following his participation in World War II, spent his days in a medical unit installed in the small ex-combatants Marsfield Australian population. In his notes to the album, Brendan Wallis recounts that this individual had the peculiarity of having a metal plate in his head, product repair his wounds in combat. With his head serving as receiver, Wilson was able not only to receive audio streams, but also give them bed, her mouth acting as sound box / speaker, and tune by careful movement of his jaw.
"Three Sunsets Over Marsfield" portrays the duo's homage to this land, "Campo Marte," population beset by stories like this, which appearances, events and absurdities of UFO sightings are currency since the mid-nineteenth century. His sound, as should be expected from this type of document, wake unusual feelings: nostalgia and fear, foolish and romantic charm. All of them are represented in desolate, barren wasteland of sound that contrasts with landscapes were dreamed. In the confused
initial moments of the album follows a troubled dream, heavy, mixed dancing and basic images seemingly tangled metal product frequencies of repetitive guitar notes fro filled delay -. The transmission of this imaginary radio retrace harrowing wilderness, loaded with saturated frequencies, and a drone contradictory filled with warmth. As fold more and more layers of sounds all starts to become a primary mass in a distant sort of blizzard in clear water reflections in a channel that is broken, beautiful and frightening at once.
"Three Sunsets Over Marsfield" portrays the duo's homage to this land, "Campo Marte," population beset by stories like this, which appearances, events and absurdities of UFO sightings are currency since the mid-nineteenth century. His sound, as should be expected from this type of document, wake unusual feelings: nostalgia and fear, foolish and romantic charm. All of them are represented in desolate, barren wasteland of sound that contrasts with landscapes were dreamed. In the confused
initial moments of the album follows a troubled dream, heavy, mixed dancing and basic images seemingly tangled metal product frequencies of repetitive guitar notes fro filled delay -. The transmission of this imaginary radio retrace harrowing wilderness, loaded with saturated frequencies, and a drone contradictory filled with warmth. As fold more and more layers of sounds all starts to become a primary mass in a distant sort of blizzard in clear water reflections in a channel that is broken, beautiful and frightening at once.
The second selection of "Three Sunsets Over Marsfield" seems to follow exactly the same corners, the instrumentation is the same and many of their movements are identical. However, here the balance is much more weighted toward environmental fluctuations more clearly the keyboards, which take on a deeply disturbing core weight. The swaying of the more serious it becomes almost inaudible so dark, but getting a quality eminently tangible, communicating with the circular delirium at a level that surpasses the aural. The closing of the overflowing matter is pure light, a kind of epiphany, a desideratum fever. Everything becomes an awakening sound uncertain where the natural thought is allied to a morphological gap, filled with ghosts and inarticulate.
"Three Sunsets Over Marsfield" is published for the first time in 2010 by Chalk's label, Faraway Press in a magnificent 180 gram lp. Although it is not the most suitable format for such documents, given the sensitive nature of their sound-it's hard not to surrender to the magnificent edition, which features an engraving of cover and comes with the usual one-obi This strips LP-size label, of course. Some copies can still be achieved in distribution as The Helen Scarsdale Agency or Die Stadt, but I suggest to hurry because I believe that much remains available. (SS)
"Three Sunsets Over Marsfield" is published for the first time in 2010 by Chalk's label, Faraway Press in a magnificent 180 gram lp. Although it is not the most suitable format for such documents, given the sensitive nature of their sound-it's hard not to surrender to the magnificent edition, which features an engraving of cover and comes with the usual one-obi This strips LP-size label, of course. Some copies can still be achieved in distribution as The Helen Scarsdale Agency or Die Stadt, but I suggest to hurry because I believe that much remains available. (SS)
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